Aug 15, 2016 One is for real time correction, like it's name says, the other is a pitch editor of sorts. The ultimate goal is the same I suppose, but it's a different way to do it. I have been using Melodyne and Waves Tune for quite a while, but I miss this way of doing it. Reminds me of the way we used to use an old Antares Auto-Tune rack unit. Dec 18, 2018 A quick look at how to use Waves Tune Real-Time pitch correction as a fun + creative performance tool:) Sorry about the Logic Pro spike at 3:39. 2010 iMac showing it's age! Waves Tune Real-Time.
Year / Release Date : 12.2019 Version : 9.1.0 rev.2 Developer : Antares Developer’s site : antarestech Format : VST, VST3, AAX Bit : 64bit Tabletka : cured System Requirements : Windows 8.1 to Windows 10 as required
Description : Auto-Tune Pro is the most complete and advanced version of Auto-Tune. It includes both automatic mode for real-time pitch correction and effects, and a graph mode for detailed editing of pitch and time. For twenty years, Auto-Tune has been a professional standard for pitch correction and a tool for selecting the most significant vocal effect in popular music. Now, with the advent of Auto-Tune Pro, it has become more versatile and easy to use than ever before, thanks to a completely redesigned interface and powerful new processing, editing and navigation features. We have added automatic key detection using the new Auto-Key plug-in (included with Auto-Tune Pro), the classic mode for “Auto-Tune 5 sound” and real-time MIDI control. The Auto Mode and Graph Mode interfaces have been redesigned to provide the most efficient, flexible, and intuitive workflow for professional users and beginners. Auto-Tune Pro also includes Flex-Tune and Humanize for more transparent and natural tuning, as well as a low-latency mode so you can work in real time without distracting the delay. It also has a time correction function for non-destructive time editing, as well as formant correction, Vibrato controls and neck length modeling. Auto-Tune Pro offers professional pitch correction and the classic effects you’re looking for if you want to quickly tweak a few dubious notes or carefully polish the entire performance.
The bundle includes: Auto-Key v1.0.1 – determines the key and tempo, and then can send this information to Auto-Tune Access with one click. Auto-Tune Access v9.0.0 is the easiest and most affordable way to start using autotune. Auto-Tune Artist v9.0.0 – Real-time Pitch Correction Auto-Tune EFX + v9.0.0 – vocal effect in vocoder style Auto-Tune Pro v9.1.0 – The World Standard in Pitch Correction
rev.2
rev. 2 – fixed saving Auto-Tune Pro in Cubase
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Waves Tune Real-Time Crack provides smooth, natural-sounding vocal pitch correction instantly and automatically, as soon as the notes leave the singer’s mouth. Moreover, it is used for live performances. As well as pre-production, tracking and mixing in the studio. Further, the plugin’s innovative pitch detection and correction. All in all, its technologies ensure that the tuned vocal retains the vocalist’s natural vocal sound. Producers, engineers, and performers can use the plugin for subtle pitch correction, but also as a creative pitch quantization effect – all in real-time.
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Key Features:
Automatic real-time pitch correction for vocals.
Shortest latency for immediate control.
Optimized for studio and live applications.
Further, advanced formant correction preserves the natural sound of the voice.
Vibrato correction while maintaining natural movements.
All in all, creative pitch quantization effects.
Programmable or MIDI playable pitch control.
Moreover, it can be used with MultiRack Soundgrid for all live consoles.
Program or play the pitch correction via MIDI.
Furthermore, runs on any live mixing console via MultiRack SoundGrid.
Moreover, compatible with all SoundGrid applications: StudioRack, MultiRack, eMotion ST, eMotion LV1.
Specifications:
Supported formats: VST2 / VST3 / AU / AAXnative / MultiRack / StudioRack / eMotion ST / eMotion LV1
System requirements: Win7 (64-bit) or higher, Mac OSX 10.11 or higher, Intel Core i5, 8 GB RAM, 8 GB HD, Internet connection
MAC:
CPU: Intel Core i3 / i5 / i7 / Xeon. Memory: 4 GB RAM, 4 GB free disk space on the system drive. Operating System: 10.9.5 – 10.12.2, 10.8.5 for ProTools 10 only. Screen Resolution: Minimum – 1024×768, Recommended – 1280×1024 / 1600×1024. USB displays are not supported as the primary display.
Windows:
Waves 10 Auto Tune Real Time Vs Antares Live
CPU: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core. Memory: 4 GB RAM, 4 GB free disk space on the system drive. Operating System: Windows 7 with SP1 64 bit, Windows 8.1 64 bit, Windows 10 64 bit. Screen Resolution: Minimum – 1024×768, Recommended – 1280×1024 / 1600×1024.
Using Waves Tune Real-Time for natural pitch correction:
1. Audition the incoming vocal and adjust the Note Transition control. Begin by setting Note Transition to the lowest value that does not result in quantization between notes. You may then want to back off a bit from this setting. 2. Adjust the Speed in the same manner. Under normal circumstances, set Speed to the lowest value that does not produce quantization artifacts.
Using Waves Tune Real-Time as an instrument that enhances note quantization:
1. To create a quantization effect, you’ll usually turn off the Vibrato control. But if the incoming vocal contains wide vibrato, turn on the Vibrato control and set the Vibrato Depth to 0. 2. Set the Speed and Note Transition controls to their minimum values
The latency of the plug-in is low enough for live use, providing the rest of the system configuration is up to the task.
For an automated process, it offers plenty of user control.
The quality of automated pitch-correction processing is certainly a match for the obvious competition.
Cons
Requires a low-latency computer/audio system for ‘live’ real-time use.
Summary:
If you don’t need the option of manual pitch editing, Waves Tune Real-Time is a very capable automatic pitch-correction tool for studio use and, given the low latency of the plug-in itself, a viable option for use in a live performance context — providing you are dealing with a competent singer in the first place.
Test Spec:
Waves Tune Real-Time v9.6.14.12 Build 87243.
Apple iMac with 3.5GHz Intel Core i7 CPU and 32GB RAM, running Mac OS 10.10.5, with Soundcraft Signature 12MTK mixer/interface.
Tested with Steinberg Cubase Pro 8.5.
Reference Frequency:
Similar to the calibration adjustment on a standard guitar/instrument tuner, the Reference Frequency control adjusts the overall tuning offset for any scale. Range: +/- 100 cents (415.3Hz –466.16Hz.) Default: A4 = 440 Hz;
Using MIDI:
Connecting a MIDI Track or MIDI Keyboard. When opening the plugin a MIDI Node is created. This is common to all MIDI-enabled Waves plugins. Connect the MIDI device to output to this instance of Waves Tune Real-Time. The MIDI input can be either a MIDI keyboard or a MIDI track.
Reference Tone:
Playing a note on the Waves Tune Real-Time virtual keyboard or from a MIDI input will sound a tone when the Reference Tone button is engaged. The Level knob controls the audio output level of the tone generator. Reference Tone is not active when dynamic processing is enabled in the DAW and no audio is coming into the processor.
Target Pitch:
When Target Pitch is selected, a note played from the on-screen keyboard, MIDI track, or MIDI keyboard forces the target pitch of the vocal note. You can actually “play” the pitch of the vocalist’s performance. Target Pitch can be used in real-time for correcting or as an artistic effect. This is true even if the note is in Bypass mode. An example: If the plugin detects A4, and you play C4, then the vocal will be shifted up. The speed of the correction is determined by the Speed and Note Transition controls. An incoming note that is not within the Range cannot be pitched shifted.
Root and Scale:
These define the root note for the selected scale. The default scale is a twelve-semitone (half-step) equal-tempered chromatic scale. Since the notes in a scale define the correction grid, a selected scale preset will adjust the pitch intervals of notes, as well as the Note Status (legal vs. illegal). An asterisk next to the Scale name indicates that the scale has been modified.
Meters:
The plugin includes the input (IN) and output (OUT) meters standard to Waves plugins. Range: -28 to 0 dBFS
Correction 100%
Sets how much of the detected correction (to the closest legal note) will be applied to the signal. Range: 0.1 – 100% Default value: 100%
Formant Correction:
Turns Formant Correction On and Off. Formants are acoustical resonant frequencies that define the characteristics of a voice or instrument. Formant correction preserves the natural characteristics of a voice while pitch shifting. Pitch shifts without formant correction may not preserve the natural attributes of the voice—especially with large pitch shifts—since these resonances are not maintained. For quantizing effects, you may choose to not use formant correction. This can create artifact sounds often associated with pitch shifters.
Correction On/Off
Activates or deactivates the pitch correction algorithm. Range: On/Off Default: On
Tolerance Cents:
Range: Off–40 Default: Off
Tolerance Time:
Range: Off–300ms Default: Off
Vibrato On/Off:
The presence of vibrato can create undesirable effects in a pitch-correction algorithm so it’s handled separately. Vibrato On – Note transition will not affect natural vibrato. This will preserve, enhance, or decrease the frequency modulation between pitches, depending on the Vibrato Depth settings. Vibrato Off – Note transition will affect natural vibrato. Fast Speed and Note Transitions settings will result in a fastpitch quantization effect, eliminating vibrato. Range: Off/On Default: Off
Vibrato Depth:
100%, the natural vibrato will be preserved, even at fast Note Transition values. When Vibrato Depth is set lower than 100%, vibrato is reduced. A zero value will flatten pitch. Values higher than 100% exaggerate the frequency modulation aspects of the vibrato. Waves Tune Real-Time does not affect amplitude modulation in the vibrato. IMPORTANT: Vibrato relates not only to distinctive vibrato but also to flutter in the Voice, which keeps the correction very natural even at a Speed value of 0.1. Range: 0–200% Default: 100%
Note Transition:
When Waves Tune Real-Time detects that a note has changed from the previous one, Note Transition determines how fast correction will be applied. Set the control according to what you wish to accomplish. Setting Note Transition to fast value results in pitch changes that may sound jumpy and quantized. Further, slower values may provide smoother transitions and preserve the glissando without compromising the sustain tightness. Moreover, the transition time can be set in 0.1ms steps. Range: 0.1–800 ms Default: 120 ms Link ties together the movement of the Speed and Note Transition controls. Range: On/Off Default: Off
Speed:
Sets the correction speed, in milliseconds. It defines the attack in correcting a sustained pitch that’s drifting out of tune. Faster values result in rapid corrections that can flatten most of the pitch contours from the source. Download lfo tool vst free. With slower values, Waves Tune Real-Time takes longer to correct to the target note. Range: 0.1–800 ms, logarithmic, in 0.1-ms steps Default: 15 ms